Art Between Minds
LA-based composer/arranger E. Lundquist (aka Eric Borders) returns with âArt
Between Mindsâ. Having cut his teeth in the LA hip-hop and beats scene and
explored realms of cosmic-funk under previous monikers, E. Lundquistâs music
displays a rich tapestry of influences including the cinematic and experimental jazz-
infused library music that influenced his previous LP âMultiple Imagesâ. Now he is
back with another ample helping of his hallucinogenic sonics, utilizing a bevy of
vintage gear to replicate that warm glow of â70s jazz-funk. From the Fender Rhodes
MKI to the ARP Odyssey, to the Mellotron, the keys and synths he employs on these
tracks display a genuine appreciation for the groove-driven music of The âMeâ
Decade.
The album plays like the score to a cult classic B-movie. The sun-drenched haze of
âSoliloquyâ could easily be what you hear during the calm before the storm in a
Blaxploitation flick and the laidback crawl of âEuphoriaâ seems ripped right out of a
fuzzy â70s blue movie. But there is a certain sophistication here, like the way the
horn section, slinky guitar, and trippy synths combine on âEscapeâ to sound like
liquid one moment and like a summer breeze the next.
Original : $24.00
-70%$24.00
$7.20


Description
LA-based composer/arranger E. Lundquist (aka Eric Borders) returns with âArt
Between Mindsâ. Having cut his teeth in the LA hip-hop and beats scene and
explored realms of cosmic-funk under previous monikers, E. Lundquistâs music
displays a rich tapestry of influences including the cinematic and experimental jazz-
infused library music that influenced his previous LP âMultiple Imagesâ. Now he is
back with another ample helping of his hallucinogenic sonics, utilizing a bevy of
vintage gear to replicate that warm glow of â70s jazz-funk. From the Fender Rhodes
MKI to the ARP Odyssey, to the Mellotron, the keys and synths he employs on these
tracks display a genuine appreciation for the groove-driven music of The âMeâ
Decade.
The album plays like the score to a cult classic B-movie. The sun-drenched haze of
âSoliloquyâ could easily be what you hear during the calm before the storm in a
Blaxploitation flick and the laidback crawl of âEuphoriaâ seems ripped right out of a
fuzzy â70s blue movie. But there is a certain sophistication here, like the way the
horn section, slinky guitar, and trippy synths combine on âEscapeâ to sound like
liquid one moment and like a summer breeze the next.

















