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Gumba Fire Bubblegum Soul & Synth Boogie In 1980's South Africa - CD
In 1980s black South Africa a local form of pop music evolved as the disco boom died down and slowly mutated. It was often ubiquitously described as Bubblegum - usually stripped-down and lo-fi with a predominance of synths, keyboards and drum-machines and overlaid with the kind of deeply soulful trademark vocals and harmonies that South African music is famous for.
Compilers Miles Cleret (Soundway) and DJ Okapi (Afrosynth Records) present a selection of 16 rare, handpicked 1980s cuts that highlight the period that nestles in between the â70s (where American-influenced jazz, funk and soul bumped shoulders with local Mbaqanga) and the â90s when Kwaito and eventually house-music ruled the dancefloors of urban South Africa.
Compilers Miles Cleret (Soundway) and DJ Okapi (Afrosynth Records) present a selection of 16 rare, handpicked 1980s cuts that highlight the period that nestles in between the â70s (where American-influenced jazz, funk and soul bumped shoulders with local Mbaqanga) and the â90s when Kwaito and eventually house-music ruled the dancefloors of urban South Africa.
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Description
In 1980s black South Africa a local form of pop music evolved as the disco boom died down and slowly mutated. It was often ubiquitously described as Bubblegum - usually stripped-down and lo-fi with a predominance of synths, keyboards and drum-machines and overlaid with the kind of deeply soulful trademark vocals and harmonies that South African music is famous for.
Compilers Miles Cleret (Soundway) and DJ Okapi (Afrosynth Records) present a selection of 16 rare, handpicked 1980s cuts that highlight the period that nestles in between the â70s (where American-influenced jazz, funk and soul bumped shoulders with local Mbaqanga) and the â90s when Kwaito and eventually house-music ruled the dancefloors of urban South Africa.
Compilers Miles Cleret (Soundway) and DJ Okapi (Afrosynth Records) present a selection of 16 rare, handpicked 1980s cuts that highlight the period that nestles in between the â70s (where American-influenced jazz, funk and soul bumped shoulders with local Mbaqanga) and the â90s when Kwaito and eventually house-music ruled the dancefloors of urban South Africa.
